Sarah contacted Anna Coleman to design her wedding stationary. The result was this extremely appealing suite we couldn't resist but name "Paper Moon". It has that the feel of those lyrics:
Well, it's only a Paper Moon,
Sailing over a Canvas Sea,
But it wouldn't be make-believe
. . . if you believe in me.
It's a sweet song from my childhood, and the tune came to mind the instant I saw Anna's thumbnail sketches and final inked art. Anna did her final rendering in ink-on-vellum. (sigh), such a traditionalist. She should only be a letterpress printer!
As with almost all our custom printing, the stock used was Crane's Lettra, 100% cotton rag content, which features an extruded, luxuriant tactile feel to the touch, and which receives the inked impression with just the right amount of deboss to render a spellbinding three-dimensional effect. In the following photos, I had to angle the light in different positions to best pick up this deboss effect, which is why some image come out bluer than others. I am not using a professional camera: it's a Canon Powershot. One day I'll splurge for that $1200.00 Nikon, but till then, these images will be produced by the good ol' point-and-shoot.
Coming in a little closer, you can see the titling font that I used: Caslon Open, 18 pt. Script is Bickham. The ornaments which were designed by Anna consist of a crescent moon, rose and petals, and two little Love Birds nuzzling on the lower crescent of the moon.
Aww. . . . is that cute or what? Anna specializes in what she has come to all Animorphism, which is, rendering animals in their lifelike character and nature, yet matching that nature to human characteristics. It was a concept she honed during her years at Flagler College, where she earned her BFA. Pen and ink is her medium of choice, which works perfect for Letterpress.
Another close-up of the Rose and Petal motif.
We call these corner designs "spandrels", the same term used for corner ornaments on Clock faces.
Caslon Open has become our favourite titling font. I have this font both in digital format on the design computer, and also in foundry metal format, in 18 point font size. This is a hard font to come by in the form of metal. My particular "hot metal" font dates to around 1910. In Sarah's case, we needed to size down her text to fit the ornament design proportionately, so we went the digital format font.
As you can see, we carried the Paper Moon ornament over to the RSVP, in reduced form. The detail came out like an engraving!
Here is a shot of the card itself, to give an idea of the general lay-out and proportion. This is a 4-bar format card which comes with a matching, addressed envelope.
A close-up of the RSVP
Another close-up, showing the text.
This is the matching Reception Card. We carried the Rose and Petal Spandrels over, in reduced form, onto this card as well, with the same engraving-like result.
A close-up of on of the Spandrels . . .
. . . and the text.
Here is the Suit all together, with addressed matching envelopes. I might add that the envelopes are text weight, semi-sized, and are calligraphy-pen friendly. Shown here are: Reception Card, A7 announcement, and RSVP. Envelopes are addressed.
This suite is available for customizing. If you are interested in using "Paper Moon" for your own wedding stationery, contact us through our site, or email us directly!
That's it for now. Stay tuned for our next installment!